A
CHOIR, defined by the Oxford Dictionary, is "a group of trained
singers".
The word brings up images of men
and women singing in harmony as a self-contained body.
Choirs are a common sight in Singapore
today. In schools, at churches; within community centres, at concert
halls and malls each Christmas - you will find groups which call themselves
thus. There are some few hundred choral groups here today, many of whom
meet regularly for weekly practices.
How
did choral singing begin in Singapore?
Backtrack a few centuries to the time when Singapore was still Temasek,
and you will find the concept of a "choir" very different.
300 years ago, apart from solo vocal
music of the court, choral music (taken in its broad definition) could
be argued to have existed. It was found in the male chorus of the Javanese
gamelan tradition; the religious chanting of forms like dikir barat.
300 years ago, further afield in
India and China, choral music still had not taken off in a big way.
In China, men and women sang their solo folksongs in the mountains.
They put on the high drama with an opera show. The closest they came
to making choral music, was through singing in unison while weeding
the fields.
300 years ago, Singapore had not
existed yet. But it was against this backdrop of choral activity (or
lack of) that the genre took off in a century to come.
In 1819, Sir Stamford Raffles founded
the island, and invited these very peoples of China, India and the Malay
archipelago itself to populate the port. With him came European residents
who brought along their religion and choral traditions. The four-in-one
mix began to spawn interesting musical results.
Dikir barat - native to the region
- thrives till today, somewhat marginally, and will be discussed separately
later.
But Western choral music - alien
to non-Western settlers - began to enter the island with a force that
would soon lead to an avalanche of general Western musical expansion.
This influx of choral music was to have ripple effects on Chinese and
Indian vocal forms.

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